We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Welcome To My Century

by Bob Hillman

supported by
/
1.
Welcome to my century I'll tell you how to make it Dish it out, twist and shout But 'never, ever take it I can dish it pretty good House arrest for seven months but it was worth it. Welcome to my century You are ancient history Damn my father's drinking I should leave him sad and lonely That's a dream cuz I can't seem To do without his money He will never draw the line I storm out and he caves in my best wishes. Welcome to my century You are ancient history I'm an actor, baby, can you dig it? Maybe you will see my face on television. Sunday down at the country club With the evil face-lift mothers They hate me triumphantly Their children don't make trouble I might never go away Eighteen holes, I know exactly what I'm doing Welcome to my century You are ancient history
2.
3.
Games 03:07
4.
Greenland 02:35
5.
6.
Movie Star 02:42
There's a famous movie star In the restaurant we are So close and yet so far away from meeting Close enough to stare at her Like a chainsaw murderer Though I'd prefer to touch and go to heaven Try to understand: I'm her biggest fan Not smoe also-ran or crazy villain Do you see the movie star? Do you see the movie star? Do you see the movie star? Movie Star Look at Mr. Olive Skin Leather trousers, lucky him Shit-eating grin and eating with perfection How an Oscar winner can Patronize this younger man I'll never understand and I don't wish to Does she notice me Waiting patiently? Maybe she'll agree to sign my menu Do you see the movie star? Do you see the movie star? Do you see the movie star? Movie Star They are getting up and leaving Me an ordinary evening Ordinary conversation Talking about my generation Do you see the movie star? Do you see the movie star? Do you see the movie star? Movie Star
7.
I Need You 04:08
8.
Anywhere 02:43
Fighting for her life in Iowa With the future legends typing club They were reading Faulkner but it was not hard enough They were thinking carefully and writing down their thoughts to please us She can go anywhere she wants to Anywhere she wants to She wants to be here She looks out on fifty miles of corn In the city clothes she’s always worn With the falling leaves the stalks turn ugly, old, and brown Anyone might think it was neglect or never meant for harvest She can go anywhere she wants to Anywhere she wants to She wants to be here Over thinking, under-drinking, no one’s chasing skirt Only waiting, calculating, how much time til they hit pay dirt There’s a holy circle and a fire Celebrating poetry for hire Someone cried Virginia Woolf and finally she broke down She was almost sure the wolf was big and bad and in sheep’s clothing She can go anywhere she wants to Anywhere she wants to She wants to be here She wants to be here She wants to be here
9.
Las Vegas 04:25
In the morning When the cards are asleep You can’t read but you weep anyway There’s a hard luck case With a strip poker face who will say: Rotgut tequila all around Two more cards and I’ll take you to bed In the car like I said I can’t quit, I’m ahead But I’ll try Morning is a lie in Las Vegas In the morning When the rumors begin Of the day stealing into the sky Did the night finally fall? Fairy tales, don’t believe them at all Take one good look around Don’t be surprised if the windows insist That the doors don’t exist And the walls take the fifth No reply Morning is a lie in Las Vegas In the morning There’s an Oklahoma man Playing two dollar hands with his wife And the Keno brigade meets the lowlifes who played through the night Is this the end of the world? Don’t tell me the American way Is a breakfast buffet And a buck on the bay Tell me why Morning is a lie in Las Vegas
10.
11.
Tolstoy 02:34
Leo Nikolayevich Tolstoy knew everything there is to know about you Emotional makeup, political views Everything there is to know about you Down to the quivering lip and the look in your eye When your father died And you couldn’t quite say what you wanted to say But you touched his hand and he knew you were there Like epic poetry, old folk songs Gargantuan themes, impossibly long War and peace and right and wrong Gargantuan themes, impossibly long Anna Karenina the ill-starred lover speaks to me She draws a breath and whispers my name I’m exactly the same as a Russian count in 1823 And he’s exactly like me Leo Nikolayevich Tolstoy knows everything about last night I suppose The open hearts and the words we chose Everything about last night I suppose First five years of circumstances loosen their grip Foreign words on your lips My lips on your words Definitions blur and we’re something else Maybe destined to be We were destined to be
12.
Bolted Down 02:39
Yes, I live in New York City Do you have a problem, man? We use drugs and beat our children These and other evil plans Who the hell are you and What gives you the right to speak to me? I had better run upstairs and Report the conspiracy I don’t care how you’re doing out there I don’t care how you’re doing out there I am safe in my apartment Where my things are bolted down Not just paintings and computers Everything is bolted down Ask me how I drink my coffee When the mug is bolted down It’s a special apparatus I will sell you one right now I don’t care how you’re doing out there I don’t care how you’re doing out there Maybe I should move to Cleveland Give the country folk a scare Find a way to take advantage Of the friendly people there I could never move to Cleveland All my things are bolted down I will stay in New York City Baby, it’s my kind of town I don’t care how you’re doing out there I don’t care how you’re doing out there
13.

credits

released April 16, 2001

Bob Hillman: acoustic guitar, lead and harmony vocals
Sal Maida: bass
Dan Vonnegut: drums, percussion
David Hamburger: electric guitar (5, 8, 9, 12), pedal steel (5)
Mark Bosch: electric guitar (2, 6, 7, 10, 11)
Dave Schramm: electric guitar (1, 4)
Billy Masters: electric guitar (9)
Brian Mitchell: organ
Tommy West: synthesizer (3, 6), harmony (5, 10)
Lisa Burns: harmony (8)
Ina May Wool: harmony (9)
Mary Wooten: cello (9, 13)
Cello arrangement by Marianne Osiel

Produced by Tommy West
Recorded and mixed by Tommy West Somewhere in New Jersey
Mastered by Nick Blagona at MetalWorks Studios (Mississauga, Ontario)

Photography by Danny Rothenberg
Design by Elton Robinson

All songs by Bob Hillman ©2001 Lap Cat Music/Further West Music (ASCAP)

license

all rights reserved

tags

about

Bob Hillman San Francisco, California

Bob Hillman is navigating the second act of a career that began in the late 90s, flourished in the early 00s, survived ten years of “real jobs,” and resumed in 2016 with the Peter Case- produced Lost Soul.

contact / help

Contact Bob Hillman

Streaming and
Download help

Report this album or account

If you like Bob Hillman, you may also like: